Return to Search Page

Total Books found 26
First Previous


MÖCKEL, Otto.
Die Kunst Des Geigenbaues.
Leipzig: Bernh. Friedr. Voigt, 1930..
4to. pp. 4 p.l., 389, [8]. title in red & black. 72 plates. 128 text illus. cloth. First Edition.
$308 USD                          Book Number: MCKeMÖCK41                         Order / Enquire



NIEDERHEITMANN, Friedrich.
Cremona. Eine Charakteristik der italienischen Geigenbauer und ihrer Instrumente von Friedrich Niederheitman. 5. vermehrte und auf Grund neuester Forschungen verbesserte Auflage von Dr. Emil Vogel.
Leipzig: Carl Merseburger, 1919..
8vo. pp. xxxii, 158, [2]ads. text illus. cloth (some marginal dampstaining at beginning). Fifth Edition, Enlarged and Corrected.
$128 USD                          Book Number: MEDemNIE25                         Order / Enquire



PINCK, Dr. Louis.
Volkslieder von Goethe im Elsass gesammelt mit Melodien und Varianten aus Lothringen und dem Faksimiledruck Strassburger Goethe-Handschrift.
Metz: LothringerVerlag, 1932..
4to. pp. 120, [7]. text in German. wrs. (edges worn with some surface stains).
$125 USD                          Book Number: aly104                         Order / Enquire



QUANTZ, J.J.
On Playing the Flute.
London: Faber and Faber, [1966]..
8vo. pp. xxxix, 365. few b/w. illus. biblio. cloth. (lacking front end paper). dw. (worn & chipped).
$50 USD                          Book Number: alyssa309                         Order / Enquire



ROKSETH, Yvonne (Rihouët) [1890-1948].
La Musique D'Orgue Aux XVe Siècle Et Au Début Du XVIe.
Paris: Librairie E.Droz, 1930..
8vo. pp. xii, 418. with half-title & tipped-in errata leaf. 8 plates. music in the text. biblio (pp. [393]-408. Uncut in original wrs. (wrs. bit soiled & spotted & chipped at edges, institutional bookplate, blindstamp on title, rubberstamp number in lower margin of p. [v], tears in pp. 345-52 repaired with no loss). First Edition.
$125 USD                          Book Number: elala2939                         Order / Enquire



SANDYS, William [1792-1874] & Simon Andrew FORSTER [1801-1870].
The History Of The Violin, And Other Instruments Played On With The Bow From The Remotest Times To The Present. Also, An Account Of The Principal Makers, English And Foreign.
London: John Russell Smith.,. 1864..
8vo. pp. xii, 390, [2]ads. chromolithographed frontis., 2 lithographed plates & many wood-engraved text illus. (several full-page). original blind & gilt-stamped cloth (covers spotted, spine ends chipped, light foxing to frontis. & title). First Edition.
$200 USD                          Book Number: elala2948                         Order / Enquire



SCHMIDLIN, Johann [1722-1772].
Singends und Spellendes Vergnügen reiner Andacht, Oder Geistreiche Gesänge, Nach der Wahl des Beaten gessamlet, zur Erweckung des innern Christenthums eingerichtet, und mit Musicalischen Compositionem begleitet von.
Zurich: David Bürkli, 1792..
8vo. pp. 4 p.l., 941, [3]. engraved frontis. portrait. contemporary calf (rubbed, extremities worn, clasps gone, some light foxing). Fifth Edition of this collection of non-liturgical hymns for one to four voices, in choir-book format.
$513 USD                          Book Number: MHMngSCH47                         Order / Enquire



ST. JOHN, Christopher.
Ethel Smyth A Biography. With Additional Chapters By V.Sackville-West And Kathleen Dale.
London, New York & Toronto: Longmans, Green And Co., [1959]..
8vo. pp. xx, 316. 4 double-sided plates. cloth. dw. (dw. slightly soiled with slightly chipped edges, price-clipped). First Edition of this biography of one of the very few female composers of international repute and the first female composer to be awarded a damehood. She studied at Leipzig where she developed friendships with Tchaikovsky and Brahms. Her extensive body of work included chamber music and orchestral and choral works, as well as two operas. Smyth also played a leading role in the struggle for women's rights.
$85 USD                          Book Number: dola2483                         Order / Enquire



[THOMSON, George] [1757-1851] (Editor).
A Select Collection of Original Scottish Airs for the Voice. With Introductory & Concluding Symphonies & Accompaniments for the Piano Forte, Violin & Violoncello by Pleyel Rozeluch & Haydn With Select & Characteristic Verses both Scottish and English adap
London: Printed & Sold by T.Preston.Sold also by G.Thomson.Edinburgh, [1803-03-03-05]..
4 Volumes. folio. engraved frontis. in each vol. by Paton and Joseph Thomson after W.Hamilton, D.Allan, the portrait of Burns in Vol. IV after A.Nasmyth. engraved titles with vignettes. alternating leaves of engraved music & letterpress. pp. {2]loose advert. leaf, 4, 50, [2]index; [2]advert leaf, 51-100, [2]index; [2]advert leaf, 101-150, [2]index; [2]advert leaf, 151-200, [7]index & glossary of Scottish words. 198 pages of engraved music, numbered 1-98, 101-200. lacking engraved music pp. 99-100 (never bound in). 2-line cancel on p. 98, Vol. II. contemporary half morocco over marbled bds. (rubbed, offsetting throughout, occasional light foxing). each volume signed on title by the editor. book label of George Haywood, Rotherham & signature of Elizabeth Abney (?) in each vol. "Thomson was an enthusiastic amateur musician. He was one of the directors of the first Edinburgh musical festival (1815). He played the violin, and took an active part in the Edinburgh St. Cecilia concerts of his day. It was from hearing Tenducci's rendering of Scottish songs at these concerts that he conceived the idea of making a collection of national airs. In the end he issued three separate (folio) collections: the Scottish in 6 vols. (1793-1841); the Welsh in 3 vols. (1809-1814); and the Irish in 2 vols. (1814-1816). .Thomson's plan in regard to the music was original and bold. Before his time there were no introductory or concluding symphonies to the airs he collected, and the accompaniments were indicated by the uncertain system of 'figured bass'. He resolved to supply both deficiencies, and had his symphonies and accompaniments written in turn by Pleyel, Kozeluch, Haydn, Beethoven, Weber, Hummel, and Bishop, to whom he paid large sums. It was at his instigation that Bishop set Burns's 'Jolly Beggars'. He found many of the old airs associated with objectionable words, and with the view of procuring new words, he corresponded with Burns, Scott, Hogg, Moore, Byron, Campbell, Joanna Baillie, and others. Burns began to write for him in 1792, and continued till his death in 1796, the collections from first to last containing about 120 of his songs." (DCB) "In this work many of the most celebrated effusions of Burns were first printed." (Lowndes, which cites 5 Vols., 1799-1818). cfGibson, The Bibliography of Robert Burns, p. 115.
$1281 USD                          Book Number: MHOSe[TH21                         Order / Enquire



VERDI, Giuseppe.
Attila Dramma Lirico in un prologo e due atti di Temistocle Solera [Cover Title]: Teatro Le Fenice Venezia Stagione Lirica 1975-76.
n.p.: n.p., 1976..
8vo. pp. 47-86, [6]. Italian text. b/w text illus. wrs.
$50 USD                          Book Number: stela240                         Order / Enquire



WAGNER, [Wilhelm] Richard [1813-1883].
My Life.
London: Constable And Company, Ltd., 1911..
2 Volumes. 8vo. pp. 4 p.l., 543; 2 p.l., [545]-911. 2 frontis. portraits. untrimmed & partly unopened in original cloth (covers spotted, extremities bit frayed, small nick in Vol. I spine). First Edition of the English Translation.
$200 USD                          Book Number: elala2799                         Order / Enquire


First Previous

Warning: mysql_free_result(): 8 is not a valid MySQL result resource in E:\web\delakeco\cat-ssrch.php on line 193